South African kwaito group Mafikizolo underscored their comeback this week with the release of the video for “Khona” off their new album, Reunited. The video which also features vocals from Uhuru and Mapiano, takes the group back to the village with brightly colored Ndebele wall paintings, Basotho blankets and flamboyant dancing. Since its debut in December, Khona has already become a global club hit and this video will further prove that Nhlanhla Nciza and Theo Kgosinkwe still got it:

Nostalgia for returning to the traditional village life in South Africa must be widespread amidst neoliberal disenchantment because DJ Ganyani and FB also return to their Tsonga roots in the video for “Xigubu”.

Nigerians Show Dem Camp, with Poe and Boj, give us a laid back song for the summer in “Feel Alright”. Ha!!!!!

More proof that high-energy kuduro music is designed for all ages comes from Angola where Gege Kuya Bwe and company live the kuduro life in the video “Batata”. With trademark Angolan style, this dance-heavy video likely doesn’t feature anyone over the age of 7.

http://www.youtube.com/watch?v=5WLs9IUwhcU

Sinkane drops another stellar video from his impressive Mars album with the song “Warm Spell”. In this retro-feeling video, an entrancing guitar riff is overlaid with even more entrancing visuals of lithe, graceful women and flowers. Legendary painter Georgia O’Keefe would certainly approve.

In their video for “That Lazy Song” rising stars Black Motion demonstrate what makes South African house music so unique. Its well crafted beat is infused perfectly with smooth jazz rhythms and hypnotic vocals. Perfect for the impeccably dressed to get down.

http://www.youtube.com/watch?feature=player_embedded&v=FJinchVDev8

Meanwhile in The Gambia… hip hop crew S.T. Da Gambian Dream use their Mandinka flows as a vehicle to express the frustrations of youth in the country and while they’re at it, talk a little shit.

There’s a new video for French rapper Fababy (real name: Fabrice Ayékoué):

Jazz band Stone Ground Souls, which features members from Zimbabwe, South Africa and the United States, performed this past week in Lesotho. In this live video for the song “Roots Grown Deep”, the group’s resident sand-painter Tawanda Mhandu creates an ever-evolving masterpiece amidst the wailing of brass. They call their style “Musical-Visual Synthesis”.

And staying in the jazz vein, Alissa Sanders croons “Dindi” in a video shot by the Nigerian-British artist Zina Saro-Wiwa. The daughter of the Ogoni activist/writer Ken Saro-Wiwa, who was executed by Nigeria’s Abacha regime, Zina has been paving her own artistic path for awhile now. She recently completed a fascinating three-part video installation called Eaten by the Heart that was commissioned by the Menil Collection for their exhibition The Progress of Love.

Further Reading

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.