South African kwaito group Mafikizolo underscored their comeback this week with the release of the video for “Khona” off their new album, Reunited. The video which also features vocals from Uhuru and Mapiano, takes the group back to the village with brightly colored Ndebele wall paintings, Basotho blankets and flamboyant dancing. Since its debut in December, Khona has already become a global club hit and this video will further prove that Nhlanhla Nciza and Theo Kgosinkwe still got it:

Nostalgia for returning to the traditional village life in South Africa must be widespread amidst neoliberal disenchantment because DJ Ganyani and FB also return to their Tsonga roots in the video for “Xigubu”.

Nigerians Show Dem Camp, with Poe and Boj, give us a laid back song for the summer in “Feel Alright”. Ha!!!!!

More proof that high-energy kuduro music is designed for all ages comes from Angola where Gege Kuya Bwe and company live the kuduro life in the video “Batata”. With trademark Angolan style, this dance-heavy video likely doesn’t feature anyone over the age of 7.

http://www.youtube.com/watch?v=5WLs9IUwhcU

Sinkane drops another stellar video from his impressive Mars album with the song “Warm Spell”. In this retro-feeling video, an entrancing guitar riff is overlaid with even more entrancing visuals of lithe, graceful women and flowers. Legendary painter Georgia O’Keefe would certainly approve.

In their video for “That Lazy Song” rising stars Black Motion demonstrate what makes South African house music so unique. Its well crafted beat is infused perfectly with smooth jazz rhythms and hypnotic vocals. Perfect for the impeccably dressed to get down.

http://www.youtube.com/watch?feature=player_embedded&v=FJinchVDev8

Meanwhile in The Gambia… hip hop crew S.T. Da Gambian Dream use their Mandinka flows as a vehicle to express the frustrations of youth in the country and while they’re at it, talk a little shit.

There’s a new video for French rapper Fababy (real name: Fabrice Ayékoué):

Jazz band Stone Ground Souls, which features members from Zimbabwe, South Africa and the United States, performed this past week in Lesotho. In this live video for the song “Roots Grown Deep”, the group’s resident sand-painter Tawanda Mhandu creates an ever-evolving masterpiece amidst the wailing of brass. They call their style “Musical-Visual Synthesis”.

And staying in the jazz vein, Alissa Sanders croons “Dindi” in a video shot by the Nigerian-British artist Zina Saro-Wiwa. The daughter of the Ogoni activist/writer Ken Saro-Wiwa, who was executed by Nigeria’s Abacha regime, Zina has been paving her own artistic path for awhile now. She recently completed a fascinating three-part video installation called Eaten by the Heart that was commissioned by the Menil Collection for their exhibition The Progress of Love.

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.