We should start numbering these bonus music breaks. First up, above, from Kenya: the Large Gang, who claim to be “a lifestyle,” or at least more than a music group. Also from Nairobi (H/T “urban soul” blog GetMziki), the Grandpa Records family (basically a group of artists that are signed to the label) doesn’t take itself too seriously. Refreshing:

Coupé-décalé from Côte d’Ivoire in front of a green screen with beats by DJ Arafat (check the hilarious virtual guitar halfway into the video):

http://www.youtube.com/watch?v=7UjGb1th2EU

A new and dreamy video for Ghanaian singer Efya:

You’re familiar with Mensa by now, so you know what to expect. File under Good Music (seriously) / Humor / No Further Comment:

According to South African rapper Jack Parow, Afrikaans (the language) is Dead.

But that’s of course not quite what he means, if you listen closely to the lyrics. Another Afrikaans rapper, also from Cape Town, is HemelBesem. Not sure what’s up with the Tennessee reference at the start here:

Switching gears: South London rapper Corynne Elliott aka Speech Debelle’s living for the message:

I’ve been listening to Salif Keita’s excellent new record this week. It’s produced by Philippe Cohen Solal (from Argentinian Gotan Project). Here they talk a bit about the recording (also introducing Esperanza Spalding) — the recurring song in the background is stand-out track ‘C’est Bon, C’est Bon’, a collaboration with Roots Manuva:

And finally, Seu Jorge has uploaded to his YouTube channel the complete concert he gave a year ago at the Quinta Da Boa Vista park in Rio de Janeiro at the occasion of the Dia da Consciência Negra. It was a star-studded affair (what a band!). Here’s Seu Jorge jamming with Caetano Veloso:

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.