Friday Bonus Music Break, N°18

Another ten music videos that we’ve been playing a lot recently. The first one above. Kudurista Titica’s ‘Ablua’ is a stomper. (Talking about Angolan music, and its history: Marissa Moorman has been consulting Afropop Worldwide for a new series called Hip Deep Angola, the first part of which, ‘Music and Nation in Luanda’, you can listen to here.) Next, still from Angola, and I have a hunch Titica served as an inspiration for Edy Sex:

http://www.youtube.com/watch?v=MB4dNscISJc

An older Namibian Overitje pop tune, but Ondarata (remember them) just now put their video for ‘Tukutuku’ on YouTube:

http://www.youtube.com/watch?v=tjT61lyrYgE

Janka Nabay and his ‘Bubu Gang’, whose live performances have become legendary by now, made this video for ‘Somebody’:

From Mali, Ben Zabo’s latest music videos are a treat:

As he did with that other project The Busy Twist, Gabriel Benn (alter ego: Tuesday Born) plays around with images recorded in Ghana in this video for ‘Kwabena’:

Jupiter Bokondji (from Kinshasa) and his band Okwess International in the studio:

South African Bongeziwe Mabandla has been working hard on completing his debut album. I hear all kinds of influences here:

On his website, Ian Kamau (who spent much time travelling and performing in South Africa recently) explains why he wrote ‘Black Bodies’:

And because we feature not nearly enough poetry or spoken word, this ‘park jam’ from Obscur Jaffar (Burkina Faso):

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.