For over two decades, West African Muslims from the Murid Sufi Brotherhood come together at the annual Cheikh Amadou Bamba Day march in Harlem, New York. Scholar Zain Abdullah calls it “a major site where they redefine the boundaries of their African identities, cope with the stigma of blackness, and counteract an anti-Muslim backlash”. Mamadou Diouf (in his preface to ‘A Saint in the City: Sufi Arts of Urban Senegal’) considers Bamba’s message an “unfinished prophecy”. Above and below are photographs Marguerite Seger took during the parade in July 2010.*

* Marguerite Seger is a New York based photographer of Sri Lankan and French decent, born and raised in Sweden. Her photography, she writes, “is versatile yet with a strong personal style”. Seger has exhibited regularly the passed years both in solo and group shows. She describes her work as “urban, raw, yet romantic”, shooting anything from MMA fighters to jeans ads, music videos, boxers and short films. More of her photographs here and here.

Further Reading

The skeleton in the closet

The novelist Nadifa Mohamed complicates Britain’s troubled, racist legal history through the personal tale of one otherwise insignificant person, a Somali immigrant to Cardiff in Wales.

Life to the sound of gunfire

Nigerians fleeing extremist violence at home take refuge across the border in Niger among an already fragile population. Together they proceed to carve out a way to live better lives for now.

Democraticizing money

Cameroonian economist Joseph Tchundjang Pouemi died in 1984, either poisoned or by suicide. His ideas about the international monetary system and the CFA franc are worth revisiting.