For over two decades, West African Muslims from the Murid Sufi Brotherhood come together at the annual Cheikh Amadou Bamba Day march in Harlem, New York. Scholar Zain Abdullah calls it “a major site where they redefine the boundaries of their African identities, cope with the stigma of blackness, and counteract an anti-Muslim backlash”. Mamadou Diouf (in his preface to ‘A Saint in the City: Sufi Arts of Urban Senegal’) considers Bamba’s message an “unfinished prophecy”. Above and below are photographs Marguerite Seger took during the parade in July 2010.*

* Marguerite Seger is a New York based photographer of Sri Lankan and French decent, born and raised in Sweden. Her photography, she writes, “is versatile yet with a strong personal style”. Seger has exhibited regularly the passed years both in solo and group shows. She describes her work as “urban, raw, yet romantic”, shooting anything from MMA fighters to jeans ads, music videos, boxers and short films. More of her photographs here and here.

Further Reading

The United States is not a country

The US federal system is a patchwork of states and territories, municipal and local jurisdictions, each with its own laws and regulations. This complex map provides ample opportunities for shell games of “hide the money.”

Growing pains

For all the grief Afropunk gets, including its commercialization and appetite for expansion, it still manages to bring people, mostly black, together over two days for a pretty great party.

The opacity of Fanon

This week on AIAC Talk, we speak with Leswin Laubscher and Derek Hook about the phenomenology of Franz Fanon and the ways he is understood throughout different eras of time.