Gonçalo Mabunda’s chilling constructions are now on display at the Jack Bell gallery in London. His thrones (above) and faceless masks (below) are made from weapons used in Mozambique’s civil war. These designs make dark mockery of ergonomics: you wouldn’t want to put these masks on your face. There is some uncanny resemblance to Modernist assemblages, and the gallery notes make a connection with Cubists. An instructive comparison is Jacob Epstein’s The Rock Drill (1913-15), a prophetic monument to the horrific potentialities of modern industry. Mabunda’s work suggests a similar comparison, between the intensive wastefulness of war and the difficulties of post-conflict community projects. Above all, it seems a grim satire on the useless objects which adorn bad leadership.

Further Reading

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.