Paolo Patrizi’s photographs of ‘shrines to the shortcomings of globalization’

Italian photographer Paolo Patrizi says about his work on the “Italos”:

I used landscape shots to capture the phenomenon of Nigerian prostitution in Italy. My photographs contain the signs left behind by cars, waiting times and customers’ transactions. What emerges is a sub-human condition these women live daily. Some appear as if tricked by the idea that one day their prostitution status will be made legal. I have tried to deliver the emotion and the atmosphere of the eerie places I visited, thus allowing the viewer a glimpse of the littered makeshift sex-camps […] pits of dirt and abuse, shrines to the shortcomings of globalization.

You’ll find Patrizi’s full series here. (For more background on ‘The Italian-Nigerian Connection’: Orlando von Einsiedel’s documentary on the topic is informative: part I and II.)

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.