It was Core Wreckah who first put us on to Lesotho rapper Kommanda Obbs a while ago. Asked for some background about this video, Kommanda tells us that “Ts’epe was shot in the mountainous villages of Bela Bela and Maputsoe in Lesotho. The aim of the song is to instil confidence in youth so that they embrace their cultures while learning about other cultures. The video introduces the album, the movement and the official Sesotho version of hip-hop. ‘Ts’epe’, which could be translated literally as ‘iron’, is used figuratively in this context as hard-hitting lyricism. The radio dj’s in Lesotho and certain parts of South Africa are really supportive. The video is currently playing on Lesotho TV.” We can see why.

Further Reading

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.