The documentary “Dear Mandela,” about three young leaders of a shack dwellers movement in Durban, South Africa, is finally here. The film will premiere at Durban International Film Festival–the first screening is on the 26th July. According to filmmakers, Dara Kell and Christopher Nizza, the film will also embark on a national tour in South Africa before screenings here in the US. If the short version of the film is anything to go by, it should be good. In that film, one of the youth leaders, Mnikelo Ndabankulu, speaking after a fire that destroyed 200 shacks in his neighborhood, refers to government supporters, says: “They say, ‘Why are these people marching because these times [of oppression] have gone. We are in a democracy. What are they marching for?’ [However] the real motive behind our struggle is this thing [pointing to conditions in his squatter community]. It is not a matter of fame, it is a not a matter of power hunger. It’s not a matter of disrespecting the authorities. It’s being serious about life. This is not life.” Then, channeling Mandela’ single-mindedness before he was sentence to life in prison in 1964, Ndabankulu says: “You don’t need to be old to be wise. That is why we think we need to show our character while we are still young so that when your life ends, it must not be like a small obituary that said, ‘You were born, you ate, you go to school, you died.’ When you are dying you must die with credibility. People must talk about you saying good things, saying you were a man among men, not just an ordinary man.”

More information and future screenings times here.

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.