'The Black Image In An Era Of Globalization'

My department at The New School is co-hosting a two-day conference on “Re-Mixed and Re-Mastered: Defining and Distributing the Black Image in the Era of Globalization.” I am also a discussant on one of the panels:

From Friday, April 8 through Sunday, April 10, this three-day conference examines the largely overlooked impact that different modes of distribution have on content creation and format of works by and for the African American community. The failures of top-down distribution models and the advent of multi-directional communication continue to alter the evolving landscape of available content and its mediums. Central to the conference is the question of how to continue to create and distribute content that challenges the dominant narrative but that maintains its cultural relevancy.

The Re-Mixed and Re-Mastered (R2) conference brings media makers, industry professionals, students and scholars of media, and film enthusiasts into a dialogue on increasing and diversifying the global distribution opportunities for media makers of color. This conference is intended to foster and strengthen a networked community committed to enhancing the visibility of high quality, independently produced media from around the world. The weekend will include screenings, panels, and workshops with media makers, cultural critics, and scholars from across the globe, as well as major industry decision makers and artists whose work speaks to issues both inside and outside the mainstream. We will present screenings of recently completed works and works-in-progress across formats, case studies, and DIY distribution techniques, including both firsthand information and alternative representations.

Confirmed guest panelists include: Jill Nelson (U.S.), renowned author and former Washington Post journalist; Frances Anne Solomon (Trinidad/Canada) of Caribbean Tales Worldwide Distribution; Ava DuVernay (U.S.), director/filmmaker, I Will Follow; Tambay Obenson (Nigeria/U.S.) of Shadow and Act: On Cinema of the African Diaspora; and Hlonipha Mokoena (South Africa/U.S.), assistant professor of anthropology at Columbia University, among others.

Featured New School faculty members include Sean Jacobs, Michelle Materre, Fabio Parasecoli, Rafael Parra and Tracyann Williams; participants also include New School alumni working in media, including Jennifer Carr MacArthur and Rucyl Mills.

Location: Theresa Lang Community and Student Center,  The New School, Arnhold Hall, 55 West 13th Street, 2nd floor, New York City.

More information.

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.