'The Black Image In An Era Of Globalization'

My department at The New School is co-hosting a two-day conference on “Re-Mixed and Re-Mastered: Defining and Distributing the Black Image in the Era of Globalization.” I am also a discussant on one of the panels:

From Friday, April 8 through Sunday, April 10, this three-day conference examines the largely overlooked impact that different modes of distribution have on content creation and format of works by and for the African American community. The failures of top-down distribution models and the advent of multi-directional communication continue to alter the evolving landscape of available content and its mediums. Central to the conference is the question of how to continue to create and distribute content that challenges the dominant narrative but that maintains its cultural relevancy.

The Re-Mixed and Re-Mastered (R2) conference brings media makers, industry professionals, students and scholars of media, and film enthusiasts into a dialogue on increasing and diversifying the global distribution opportunities for media makers of color. This conference is intended to foster and strengthen a networked community committed to enhancing the visibility of high quality, independently produced media from around the world. The weekend will include screenings, panels, and workshops with media makers, cultural critics, and scholars from across the globe, as well as major industry decision makers and artists whose work speaks to issues both inside and outside the mainstream. We will present screenings of recently completed works and works-in-progress across formats, case studies, and DIY distribution techniques, including both firsthand information and alternative representations.

Confirmed guest panelists include: Jill Nelson (U.S.), renowned author and former Washington Post journalist; Frances Anne Solomon (Trinidad/Canada) of Caribbean Tales Worldwide Distribution; Ava DuVernay (U.S.), director/filmmaker, I Will Follow; Tambay Obenson (Nigeria/U.S.) of Shadow and Act: On Cinema of the African Diaspora; and Hlonipha Mokoena (South Africa/U.S.), assistant professor of anthropology at Columbia University, among others.

Featured New School faculty members include Sean Jacobs, Michelle Materre, Fabio Parasecoli, Rafael Parra and Tracyann Williams; participants also include New School alumni working in media, including Jennifer Carr MacArthur and Rucyl Mills.

Location: Theresa Lang Community and Student Center,  The New School, Arnhold Hall, 55 West 13th Street, 2nd floor, New York City.

More information.

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.