http://www.youtube.com/watch?v=Xwe_xNEUgxA

The UK (via Jamaica) toaster, Tapper Zukia’s “MPLA” off the album from the same name. Because the song (and the album) came out in 1975, some made links to the Angolan liberation movement, the Movimento Popular de Libertação de Angola, who that same year formed Angola’s new independent government (after a protracted liberation war against Portuguese colonial rule). This fan video–with its Cold War and anti-colonial images–contributes to that myth I suppose. Instead, the song was more about Rastafarianism and a reflection of 1970s London black identity politics.

H/T: Tony Karon.

Further Reading

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.