The trailer for “Black Butterflies,” the new Dutch film about the 1960s Afrikaans writer, Ingrid Jonker, is out. Jonker came to prominence when Nelson Mandela at his inauguration as South Africa’s first democratic president, quoted her poem, “Die Kind” [The Child]. She committed suicide in 1965. The film which covers Jonker’s affairs with publisher Jack Cope and fellow writer, André Brink, stars the well-known Dutch actors Carice van Houten and Rutger Hauer (as her father). Of course we should wait till the film comes out, but the trailer doesn’t help.

The trailer creates the impression that she had a continental impact; that was hardly the case. All the dialogue–in the trailer at least–appears to be in English when Jonker (and Cope and their mostly white circle) lived their lives and art mostly in Afrikaans (which is close to Dutch); have the producers not heard of subtitles? There’s also a curious Dutch translation of the word ‘South African’ as spoken by Mandela (sec 1:53) in the trailer.  In an earlier post, I also noted that the same person who brought us the deplorable “Goodbye Bafana”–the film about Mandela’s close relationship with his white prison guard–is writing the script.

Anyway, filmmakers have struggled to put Jonker’s life on the screen. The previous attempt–a documentary by Helena Nogueira didn’t quite pull it off.

Tom swears the best piece on Jonker is still that by the Dutch author, Henk van Woerden, who spent a significant part of his life in South Africa (resulting in a shamefully neglected trilogy about that period: “Moenie Kyk Nie,” “Tikoes” and “Mond Vol Glas”). The piece is included in Gerrit Komrij’s Jonker-anthology “Ik Herhaal Je.” Van Woerden, according to Tom, “… wrote the most insightful and ’emic’ piece on Jonker I have read so far. 40 pages of pure gold.”

Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.