Preview (and more information in French) of images from the exhibition, “The Ritual of the pose–Africa in black and white in the 1970s,” consisting of studio photographs by Malian photographer Malick Sidibe and his Senegalese counterpart Oumar Ly, now on show (till November 27th) at the Musée des Arts Derniers in Paris. The one above is by Sidibe.
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Long seen as a neutral player in global affairs, Zambia’s foreign policy is shifting under new pressures—from Western donors, Chinese investment, and its own strategic ambitions.
Anti-queer laws in Africa are often framed as cultural defense—but their roots lie in colonial legacies, religious nationalism, and global reactionary alliances.
At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.
Despite decades of donor funding, the push for women in politics in Nigeria often sidelines real change in favor of workshops, buzzwords, and photo ops—leaving power structures intact.
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A new book issues both an indictment of South Africa’s failed transition and a call to rebuild the left through climate justice, solidarity economies, and radical humanism.
The last great Fang bard, Eyí Moan Ndong fused myth, music, and sci-fi to create epic performances that defy Western categories—and demand global recognition.
El último gran bardo Fang, Eyí Moan Ndong, fusionó el mito, la música y la ciencia ficción para crear actuaciones épicas que desafían las categorías occidentales y exigen reconocimiento mundial.
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