Simphiwe Dana is probably the most talented female singer of her generation from South Africa. (Thandiswa Mazwai would come a close second; whatever that means.) Dana is still young, she’s only 32, so we can only imagine what she will still achieve. In 2008 the British music writer, David Honigmann of the Financial Times, described her as “… tall, assured and fully in control.” If you have not heard her music yet, sample “Ndiredi or “Zandisile” for starters.  She has made a lot more music, including a new album, but the links above will suffice.  The point of this post, however, is a series of new videos on the website of the German TV channel ZDF recorded with Dana in early 2010.

It includes a long, 19-minute raw piece of video footage of a conversation between a German producer and Dana (watch here) on Xhosa music and culture. Dana indulges the reporter’s questions and talks beautifully about her first language, Xhosa, a language that grew from the “mixture of two cultures …  Xhosa and San … and where they collide[d] comes something beautiful.” In the interview Dana also talks about self love (she’s big on it), why South Africa is so violent, how the rainbow nation is a “farce,” and racial inequality, among others.

A second video contains a jam session with fellow singer Thandiswa at a restaurant in Johannesburg. The performance is worth your time.

Further Reading

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

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Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

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The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.