Africa Is a Country

Coco Cola and the "African Boy"

Africa Is a Country Podcast
African Five-a-Side Podcast

Coco Cola and the "African Boy"

By
Sean Jacobs

I’m a bit late with this, but I’ll post it anyway. (Look out for lots of posts about World Cup commercials on this site over the next few days.) Another one of the myriad of commercials made to order for Coco Cola to dominate soft drink consumption during next month’s World Cup.   This time it is animation backed by a voice-over and yet another remix of K’Naan’s “Waving Flag” single again.  It is was made with Youtube in mind.  The commercial is titled “Quest.” It is the third in a series: After the original ad with K’Naan and the ridiculous “celebration” ad with Roger Milla, there’s this. The “Quest” commercial has been out since the last week of April. It is the story of an “African Boy” battling giant Transformer-like machines (“robots” in the commercial) to play football.  The robots seem to play for Brazil.

http://www.youtube.com/watch?v=HFe6sVgYh3M

What do you think?

I find the commercial very unattractive and not appealing. I just don’t feel it. Here Africa is one giant squatter camp filled with garbage dumps and discarded robots. And what’s with the Peter Pan like flying creatures?

More importantly, Africa here is different. Poor. They play on dusty pitches. They play barefoot. Amid garbage. As a result, you won’t recognize host nation South Africa in these videos.  You see the same thing in Pepsi’s “Africa” commercial or any of the K’Naan commercials.

But as someone reminded me recently: In few of these representations do the creators care what Africans think or how they really live or what they are like are.

(BTW, my suspicions is that South African creatives play a key role in the Coco Cola commercials. Please tell me I’m wrong.)

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.