Singer Rokia Traoré speaking truth to The Times of London:

“… Some Europeans who love Africa love it for exoticism … Anything modern doesn’t interest them. I don’t know why they don’t realize that the traditional and the modern can exist alongside each other. I think they have an image of Africa which they don’t want to change. It’s horrible. It’s the same all over Europe, but France is the worst because here there’s that pretension of knowing Africa.

If they tried to think about it objectively they would be ashamed of themselves. They have decided how African music is supposed to be. So, when a European musician goes to Africa to make a record because he wants a different sound, then it’s amazing, it’s genius. But when an African does something with a European inspiration, it’s not normal.”

Further Reading

Procès et tribulations de Rokia Traoré

Détenue en Italie puis en Belgique pendant prèsde sept mois, la chanteuse malienne est engagée depuis 2019 dans une bataille judiciaire avec son ex-conjoint belge pour la garde de leur fille. Entre accusations d’abus et mandats d’arrêt, le feuilleton semble approcher de sa conclusion.

Requiem for a revolution

A sweeping, jazz-scored exploration of Cold War intrigue and African liberation, Johan Gimonprez’s ‘Soundtrack to a Coup d’Etat’ lays bare the cultural and political battlegrounds where empires, artists, and freedom fighters clashed.

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.