[youtube=http://www.youtube.com/watch?v=lGpikgxn-VM&w=480&h=295#13m00s]

Al Jazeera’s media criticism TV program “The Listening Post” has a useful analysis of the South African media’s reporting of the murder of the white supremacist, Eugene Terreblanche, by two farmworkers, one a 15 year old, after a wage dispute. (Not everyone is keeping a cool head; the British tabloids now report the race war narrative–which has little basis in fact–with glee.) The clip also covers the media’s obsession with Julius Malema, the youth leader of the ruling party, as well as how mainstream media covers race. (The insert is about 13 minutes in.)  I have some minor qualms with the insert–for one, Malema is not “far left,” he is more of a racial nationalist, and did they have to interview Nick Broomfield. There’s also nothing about South Africa’s reactionary blogosphere. But generally I thought it was okay.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.