
Outside the field of African art
Asking whether white people should curate African art anymore, may be outdated. Instead we should ask: what is African art now and does the category matter anymore?
500 Search Results for: Diaspora
Asking whether white people should curate African art anymore, may be outdated. Instead we should ask: what is African art now and does the category matter anymore?
In doing the intellectual activist work of editing and supporting cultural production, literary magazines have been crucial for Black cultural renaissance.
In the latest controversies about race and ancient Egypt, both the warring ‘North Africans as white’ and ‘black Africans as Afrocentrists’ camps find refuge in the empty-yet-powerful discourse of precolonial excellence.
The significance of ending the ongoing war in Sudan cannot be overstated, and represents more than just an end to violence. It provides a critical moment for the international community to follow the lead of the Sudanese people.
A conversation with members of Sudan’s resistance committees and Magdi elGizouli.
Nigerian and South Sudanese filmmakers give voice to the search for identity, stability, and belonging through the lens of youth and migration.
While social media has amplified calls for social justice in long-ignored parts of the world, it should only be the beginning of our activism.
At the 31st New York African Film Festival, young filmmakers set the stage with adventurous and varied experiments in African cinema.
The Olympics, with its provocative patriotism, are the perfect forum for using a broader diasporic focus to push back against hypernationalism.
The Malcolm X effect of Gambian-British activist Momodou Taal.
While many diasporans speculate romantically about the people we were or could have been, is that speculation mutual?
From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.
Anyone committed to an expansive concept of Pan-African liberation must regard 'Black Panther' as a counterrevolutionary film.
Photography has a long history in Ethiopia. Today a team of archivers is using it to collect the memories of Ethiopians between the 1940s and 1980s.
Three prominent curators on how they are (re-)situating their respective curatorial practices in relation to the political moment.
Cote d'Ivoire's newly-appointed commission counts 11 members, with footballer Didier Drogba one of them, representing the country's diaspora.