
Exploring rootlessness and confusion
The director, Frances Bodomo, originally from Ghana, talks about her film "Boneshaker" and African globalization.

The director, Frances Bodomo, originally from Ghana, talks about her film "Boneshaker" and African globalization.

In which category would the South African photographer Pieter Hugo place himself? What do they stand for or what his photographs can and cannot tell.

Republican party propaganda wants to paint President Barack Obama’s Kenyan family as alien to America. In
“Relentless” is fundamentally a film about Lagos. About how director Andy Okoarafor sees it. In Okoarafor’s

Tunde Kelani's "Maami," a tale about a former professional footballer, is bold and stylish film-making, and it deserves a wide audience.

It’s not hard to see why Rumbi Katedza’s first feature has been described as a Zimbabwean
In South African director Charlie Vundla’s “How to Steal 2 Million,” Johannesburg is equated with “a
From the Otelo Burning soundtrack (we still owe the soundtrack a review), here’s ‘Walk on Water’
In the introduction to The World According to Bylex, Filip De Boeck and Koen Van Synghel

Historian Greg Mann is not a big fan of Tuareg group, Tinariwen. The music is alright, he agrees, but the politics is rancid.
Mali’s on our mind. Mostly because of the confusion. Reports from Bamako abound, while there’s still

The city's past and its predilections render neat formulations like Creole city and European city equally hollow.

This is Number 11 in my occasional series of posts highlighting the music of my hometown, Paris, also a center of Europe's African diaspora.
Coming on June 1 is Northwestern University journalist professor Doug Foster’s new book, After Mandela: The Struggle

The popular Kudurista, Titica, is one of the the top stars of this growing Angolan dance music form.

One of our readers took our title literally.

Putting postcolonial Angola and postindustrial New York in visual touch.

They're making a film about "a love story set in Cape Town South Africa that chronicles the life of Leila, a young Cape Malay girl who falls in love with an American boy, Derek, who happens to be black."

In 1969, Gadalla Gubara and his friends, Ousmane Sembene, Timité Bassori and Mustapha Alassane came up with an idea: FESPACO.

How a music genre is selling Angola's oil boom.