Documentary–‘I am Malawi’
http://www.youtube.com/watch?v=AA6F553L17g ‘I am Malawi’ is a short documentary by Geert Veuskens and Pieter de Vos. (Part
http://www.youtube.com/watch?v=AA6F553L17g ‘I am Malawi’ is a short documentary by Geert Veuskens and Pieter de Vos. (Part

Tintin is full of offensive, racist, stereotypes. Should Africans take the publishers to court? No, argues the author; it is counterproductive.
Since Friday’s Special was reserved to Sierra Leone — and for archival purposes — here’s your

Globetrotter's organizing logic may be a bit elusive, but the content itself is often quite captivating.
Freedom Day in South Africa. Togo Independence Day. And Sierra Leone’s 51st Independence Day. That’s all

The video, "African Men. Hollywood Stereotypes," made by an American NGO, is part of the "Brand Africa" discourse that's all the rage now.

Djibril Diop Mambéty's film "Touki Bouki" is an excellent example of how the contemporary can be read through the (re)construction of myths and narratives from a collective memory.

One of the striking facts of Nabil Ayouch's film is that Israelis love the land and the Palestinians love it too.

The ever-well-informed African Art in London announced this week that Yinka Shonibare’s contribution to the fourth plinth of

The recent announcement of the Guggenheim Foundation’s new “Guggenheim UBS MAP Global Art Initiative” bears all

If you’re unfamiliar with my musical work, OkayAfrica.com recently did a profile on me for their web TV

Makode Linde calls his approach Afromantics: it use the blackface to show the connection between stereotypes, part of the same system of oppression.

Younger generations of artists, many immigrants of African origin, are reconfiguring the arts in France on their own terms.
Nowadays we’re doing multiple #musicbreaks on Twitter and Facebook when the spirits move us. We figured we’d

Abderrahmane Sissako’s oblique suggestion of what a ‘socialist friendship’ might be in his first film, "October" (1993) set in a then-declining Soviet Union.

Ousmane Sembene's "Xala" (1974) is a powerful political narrative. At times edging toward the surreal, at others an acute depiction of the complexity of the freshly independent Senegal.

It’s a brilliant staging of structural racism and post-colonial existence by the artist Makode Linde.

Interview with South African writer Henrietta Rose-Innes's about her novel, "Nineveh."
Short films sometimes get a bad rap — they’re considered a “learning exercise” for film school

The recent controversy around Günter Grass’s criticisms of Germany's arms trade with Israel is an interesting post-script to the Namibian genocide controversy.