Nollywood–Nigeria’s Mirror
The Nigerian poet and critic, Odia Ofeimun, on how Nollywood depicts traditional culture and religion.
The Nigerian poet and critic, Odia Ofeimun, on how Nollywood depicts traditional culture and religion.

Cedric Nunn's photography reflects the complex emotions of his black South African subjects, their humanity, dignity, in very personal terms.

A recent trip to Israel and the new sub-set work he produced there, raises some doubts about Kehinde Wiley's art practice.

The photographer Aida Muluneh's work explores Ethiopia via identity, personal journey, and family nostalgia after a 30-year absence.

Can a rap music video do better than some journalism in showing the real, unvarnished existence of ordinary Nigerians?

Number 3 in our series of short descriptions of ten new African films to watch out for.

A review of a new memoir by Ghana's new President, John Dramani Mahama.

Guinean-Swiss photographer Namsa Leuba deftly "merges" aesthetic traditions.

Wynter Gordon's remake of 'Stimela' suggests more challenging possibilities.

A South African writer gets invited to the Farafina Creative Writing Workshop in Lagos, Nigeria. Her main takeaway: writing is an act of faith; an ancient form of prayer.

The posters are tied to the Ghanaian and Nollywood film industries that emerged in the late 1980s.