Since 2004, Le Salon africain (part of the annual Geneva Book Fair) awards the Ahmadou Kourouma Prize to an ‘African oeuvre, essay or fiction that reflects the spirit of independence and creativity which is the heritage of [Ivorian novelist] Ahmadou Kourouma’. This year the Prize goes to Rwandan author Scholastique Mukasonga for her latest novel ‘Notre-Dame du Nil’. Of the past 8 winning books, not one is available in English:

2011 Photo de groupe au bord du fleuve (Emmanuel Dongala)
2010 Si la cour du mouton est sale, ce n’est pas au porc de le dire (Florent Couao-Zotti)
2009 Solo d’un revenant (Kossi Efoui)
2008 Le Bal des princes (Nimrod)
2007 Le paradis des chiots (Sami Tchak)
2006 Babyface (Koffi Kwahulé)
2005 Matins de couvre-feu (Tanella Boni)
2004 Survivantes, Rwanda 10 ans après (Esther Mujawayo & Souad Belhaddad)

In a recent profile of French-Congolese (RC) author Alain Mabanckou, the L.A. Times blames “the parochial tastes and pinched profit margins of the U.S. publishing industry [for] hav[ing] restricted Mabanckou’s visibility on U.S. bookshelves”. I can’t think of any other reason why these 9 Prize-winning works haven’t yet been translated. By not doing so, the Anglophone publishers are keeping their readers from accessing a Francophone world of imagination that spans more than a quarter of the African continent — not to mention the Francophone diaspora. Don’t tell me there’s no interest.

Further Reading

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.