
The Emperor’s Son
The decision by Spain’s national football team to go play a football friendly in its former colony, Equatorial Guinea, has spotlighted how the latter country is run.
6428 Article(s) by:
Nathan Chiume is an Africa analyst and consultant.

The decision by Spain’s national football team to go play a football friendly in its former colony, Equatorial Guinea, has spotlighted how the latter country is run.

The website of the international edition of the The New York Times website debuted two dozen new “international” columnists this week. One of them is an AIAC contributor.

Eqatorial Guinea in West Africa was a Spanish colony. Few Spanish football fans know where it is or how the rulers continue the violent politics inherited from Spain.


A resort in South Africa’s Free State province offers guests accommodation in “a Basotho village and a shantytown.” Who comes up with this offensive stuff?



Journalists are still keen to prod the soft spot of their readers’ insecurities around mental illness, with the fear mongering undertone of ‘it could happen to you.’

How Nito Alves has become the symbol of a slowly emerging movement that has shaken the Angolan government’s narrative of post-conflict stability.

How much of Equatorial Guinean’s tax money did the Obiangs pay to the Spanish FA for a meaningless match between its national teams?

For his CNN food travel show, Bourdain picks black Gauteng rather than pretend-European Cape Town and the Western Cape.

The World Bank and IMF have waged a sustained assault on African public services over several decades, and have never been called to account for the profound and lasting damage they have done.

Mmusi Maimane, despite his apparent reputation in opposition circles as a “man of the people,” appears to possess a rather limited political imagination.

Ghanaian-American filmmaker Akosua Adoma Owusu wants to foster a new wave of Ghanaian experimental filmmakers.

Recognition of the contributions to the New York cultural landscape by African immigrants remains strangely absent from the average New Yorker’s frame of reference.

Ghana is currently experiencing a surge of contemporary performing and visual arts. Here are some notes on goings on about Accra-town.

We don’t want to see a film about what might have been, however seductive that aspect of Burkina Faso’s history is. But what was achieved.

The mistake of directing the hardline scorn we reserve for say Madonna and Fox News at small independent filmmakers or young volunteers at NGO’s in Africa.

Europe’s new provincialism exacts a human toll that can only be accepted with a mind-set that subscribes to nothing more than a new barbarism.