
All About Nicholas Kristof
Nicholas Kristof’s journalism, which is largely focused on Africans, is exhausting to watch. And it is always about himself.
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Miguna Miguna is a Kenyan activist and lawyer.

Nicholas Kristof’s journalism, which is largely focused on Africans, is exhausting to watch. And it is always about himself.

The Ghanaian-Russian photographer documents the African diaspora in Europe, mostly in the United Kingdom.

Zeal Onyia was a master Nigerian trumpet player from the 1950s treated as an equal by Louis Armstrong.

Is the New York Times’ correspondent in East Africa, a journalist or just someone relaying stereotypes?

The revival of Ethiopian jazz, a tradition that dates back to the 1920s, and had its heyday under Emperor Haile Selassie.

The work of Denis Rouvre, who won second place in sports features in the World Press Photo Awards for his work on Senegalese wrestlers.

Parts of Johannesburg’s inner city has been subjected to aggressive gentrification. It also comes with lots of mindless media.

Why does a progressive Spanish TV channel close to the ruling Socialist government exploit Africans for entertainment?

A true competitive selection process may have turn up the best possible candidate as head of UNICEF and not power politics.

Die Antwoord is basically blackface. But blackface is also tricky, argues poet and writer Rustum Kozain.

Poor whites don’t even make up 5% of the poor. Contrast that to more than 60% of blacks. But that’s not a story for foreign media.

The Senegalese-American crooner’s uninspiring “Oh Africa” reminds of bubblegum South African pop from the 1980s.

The Winter Olympics features a Russian skaters who dress in animal skin costumes to perform to an “Aboriginal Song.” There’s more.

At minimum, VICE’s work demonstrates there are stories to tell about Africa that can reach an audience beyond public television.

The top tunes dedicated to Nelson Mandela, arguably the most recognizable liberation figure from South Africa.

Wiley, known for painting black men as figures from Renaissance art, now does the same with Africa’s best football talents.

How a political song about the aftermath of the Cold War, refugees and statelessness was defanged, first for FIFA and then for Coca Cola.

European media’s lopsided attempts to make sense of South Africa ahead of the World Cup, continues.

The New York Times’ chief theater critic, surprise, misses the point about the musical, “Fela!”

Janka Nabay is the premier exponent of Sierra Leone’s frantic and frenetic Bubu Music.