Senegalese Wrestlers

The work of Denis Rouvre, who won second place in sports features in the World Press Photo Awards for his work on Senegalese wrestlers.

All images by Denis Rouvre.

Two weeks ago the results of the World Press Awards were announced. The prize winners included a number of striking images about and by Africans.

Most of the attention has focused on the Malian, Malick Sidibe, who won first prize in the arts and entertainment category for a spread that appeared in The New York Times Magazine last year.

Other winners include Francesco Giusti, who won second prize in the same category for his photos of Congolese sapeurs; Farah Abdi Warsameh from Somalia, second prize in the general news; and Stefano De Luigi from Italy for his shots droughts in Kenya, second place in contemporary issues-singles.

For me, however, the most striking pictures are those by Denis Rouvre of France, who won second place in sports features for his work on Senegalese wrestlers.

Here’s two of the images from the series.

You can view the full series on his website.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.