Milking the dream
The 2022 Venice Biennale shows that despite the lack of investment from African nations or the occasional hijacking by mercenary curators, African artists are finding ways to be seen.
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Karen Chalamilla is a culture writer and researcher based in Dar es Salaam.
The 2022 Venice Biennale shows that despite the lack of investment from African nations or the occasional hijacking by mercenary curators, African artists are finding ways to be seen.
The centrality of race, colonialism, political projects around transnational identities, and the social sciences, all had effects on how the Middle East as a region came to be.
At the world’s most prestigious art exhibition, all is not well when it comes to relative newcomers from the African continent.
Decolonization in Kenya may be permitted in its universities if the Kenyan government receives a grant to promote it, or if foreign donor will sponsor it.
The story about peanuts, and the people who grew it at the margins of an empire in 19th century West Africa, then the most abundant source of the world’s most important oilseed.
The University of Stellenbosch in South Africa treats racism as an issue that must be soft-soaped to avoid alienating white people.
Lindsey Green-Simms’ book “Queer African Cinemas” explores the intersections of postcolonial thought, queer theory, and screen media.
On this week’s AIAC podcast: After an upswing before the pandemic, the global climate justice movement currently looks stuck. What kind of climate politics can appeal to the majority of people?
The wives of (former) heads of state form an important part of the political elite in Guinea, considerably shaping the country’s sociopolitical and economic past and present.
The profound influence, often underplayed, that great African revolutionary Amílcar Cabral had on Brazilian educator and philosopher Paulo Freire.
The greatest achievement of Ghanaian philosopher Kwasi Wiredu was to recast African knowledge from something lost to something gained.
How Africa’s pension funds risk becoming instruments of Africa’s neoliberal takeover.
We do not have to die, become sick or leave the academy to live and be in this space.
A photo essay on Masjid Tajul Huda, a mostly West African mosque in the Bronx, New York.
‘We Slaves of Suriname’ (1934) was the first study of Dutch colonial rule from the perspectives of the people who resisted it. It is has been published in English for the first time.
As coal is dying we must be prepared to absorb the transferable infrastructure of this industry and re-tool it for use in the emerging economy.