
Cinematic universality
Fatou Cissé’s directorial debut meditates on the uncertain fate and importance of Malian cinema amidst the growing dismissiveness towards the humanities across the world.
Fatou Cissé’s directorial debut meditates on the uncertain fate and importance of Malian cinema amidst the growing dismissiveness towards the humanities across the world.
A new film on the life of Walter Rodney gives a glimpse of his radical solidarity politics and centers on his family, who struggled and suffered with him.
Thierno Souleymane Diallo’s latest film traces his search for what is likely the first film made by a Guinean, in the process asking: how is a film culture possible when the infrastructure and institutions are lacking?
Filmmaker Khady Sylla amplifies the voices of and gives visibility to the domestic workers tending to the homes of Africa’s middle classes.
Successive Ethiopian governments have continued a 'modernizing' project that not only offers people false dreams, but actively dislocates them from the things that gave them purpose in the past.
In the documentary film 'Abderrahmane Sissako, un cinéaste à l’Opéra,' the director is in complete control of his artistic vision.
The Ghanaian game, Ampe, is an education in Blackness and womanhood.
More than class solidarity alone, more than a technocratic climate justice, a reckoning with empire is necessary for our collective survival.
To put an end to general indifference about the 25 years of political violence in DR Congo, filmmaker Thierry Michel chooses to show the worst atrocities and to name the war criminals.
Director Shameela Seedat’s film about trainee lawyers provides a sort of celebration of youth on this continent and a vision of the next generation of Africans.
The historian Premesh Lalu’s film about an apartheid-era cinema on the Cape Flats also offers a glimpse of a future beyond racism for South Africa.
The film 'Congo Oyé,' pulled from the archives of a New York City library a decade ago, explores different interpretations of revolution, Black sovereignty and liberation.
The lesson from political economist Rok Ajulu’s academic work and activism: it’s not enough to change the “tenants,” but fight to change both the “state” and all of its houses.
Maky Madiba Sylla is a militant filmmaker excavating iconic Africans whose legacies he believes need to be known widely—like the singer Laba Sosseh.
If committed filmmakers want to reach and influence more people, and counter fake news, impact producing may help get us there.
The documentary film Mane about two women—a rapper and a wrestler—is a much-needed boost of fresh air in the male-saturated tale of the “Generation hip hop” of Senegal.
Although overlooked this awards season, a new film by Lebohang Jeremiah Mosese deserves your attention.
The film "Africa Mia” (2019), directed by Richard Minier and Edouard Salier, explores the musical connections between Cuba and Mali.
The mass atrocities of the 1899 French invasion of what is Niger today are finally being treated with the gravity and consequence they deserve in Western popular histories.
The documentary, Rumba Kings, offers a commendable and tireless argument for both an intangible cultural heritage case and a centering of the Congolese way.