The Venice Hustle
How an Italian hotelier came to represent Kenya at the Venice Biennale.
How an Italian hotelier came to represent Kenya at the Venice Biennale.
Comedian Mpho "Popps" Modikoane is the spokesman of South Africa's "Born Frees."
Afrofuturism and engaging prophetically with history.
As an art writer working in Africa, I have no available model to craft an entire practice of writing books on contemporary art in Uganda.
The multimedia artist Tunde Owolabi brings Aso-Oke weaving to gallery spaces.
Ever wonder what inspires an artist to paste red-lipped Cheshire cat grins over the mouths of
The myth of an all-white, Christian German society largely persists. So does the idea that anyone
Kenyan artists have to grapple with a number of challenges, including how to use digital platforms to promote and sell art at a fair price.
How much energy should we invest in counterfactuals like: What if a diminished Europe, devastated by a plague, did not produce colonial powers, how might Africa’s history have unfolded?
Public art, the vandalism of Nelson Mandela’s legacy for commerce and the spoiling of public space in Cape Town.
The youthful and creative art scene in Senegal's capital is the subject of director Sandra Krampelhuber’s documentary film, "100% Dakar."
The need to move the art discussion away from Darwinian interests in gorillas to the concern for new audiences for contemporary art in Africa.
If "Exhibit B" truly offered the profound critique of slavery and colonialism its creators claimed, why the outrage? Why object to confronting silenced, gazing human “tableaux”?
We asked the participants at a symposium in Austria on European Africans to reflect on what an Afropean is. We edited it into a short video.
The collective BE.BOP works to introduce a decolonial way of thinking about the visual arts in Europe and Africa.
The artist Mohau Modisakeng mines the contours of colonial and post-colonial history.
Halfway through my visit to the International Exhibition of this year’s ambitious edition of Dak’art: the
Dak'Art is the only art contemporary biennale of its scope with a mandate to include all artists of African descent.
The long histories of Africans in South Asia, including the case of Africans arriving as slaves in India and whose descendants are still in India and Pakistan.
Interview with curators Sylviane Diouf (Schomburg Center) and Joaneath Spicer (Walters Art Museum) about the African presence in Western and Asian art.