
Brett Bailey, The Barbican and Black Britons
If “Exhibit B” truly offered the profound critique of slavery and colonialism its creators claimed, why the outrage? Why object to confronting silenced, gazing human “tableaux”?
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Yvette Greslé is an art historian and critic specialising in African video art.
If “Exhibit B” truly offered the profound critique of slavery and colonialism its creators claimed, why the outrage? Why object to confronting silenced, gazing human “tableaux”?