
Toronto’s Afrofuture
Toronto lends itself to sci-fi imaginings, so it’s not surprising that for some it could be a capital of Afrofuturism.
Toronto lends itself to sci-fi imaginings, so it’s not surprising that for some it could be a capital of Afrofuturism.
Creating spaces where artists related to the Congolese diaspora can freely tell their side of the story.
Akomfrah's films gives voice to the legacy of the African diaspora in Europe, and his experimental approach to narrative and structure helped pave the way for the re-emergence of the "essay film" today.
An Egyptian theater company puts on Victor Hugo’s Les Misérables in colloquial Arabic. The choice was no error.
A short documentary film on the Lagos, Nigeria, performance artist Jelili Atiku.
Pierre Joris and Habib Tengou edit a book about the multiple beginnings, traditions and genealogies in the literatures of the many languages of the region, and the region's diasporas.
Schoonmaker: When did you start to see work by African artists that you did respond to?
Ghana is currently experiencing a surge of contemporary performing and visual arts. Here are some notes
The frustration or inability to establish an identity that is free of hegemonic constructed myth – that ceases to be at odds with current reality.
An interview with the artist Lalla Essaydi who seeks to challenge Orientalist mythology in her work.
A conversation with the curators of the Angolan Pavilion at the 2013 Venice Biennale.
Considering James Town's weighty history, which played a huge part in shaping Ghana, it seems only right that when re-imagining a future Accra we start at the place where the city began.
The Thai-born artist, Pratchaya Phinthong, mines Zambia's colonial history to explore how historical narratives are performed through objects.
Emeka Ogboh's experimental videos and soundscapes of Lagos, Nigeria.
In 1988, Basquiat traveled to Cote d'Ivoire, anticipating "very unsophisticated" Africans would see his art. That's not what happened.
Last year, while visiting Okwui Enwezor’s Triennale at the Palais de Tokyo in Paris (titled: “Intense
Julie Mehretu's canvases depict a public zone dichotomous to that of their own surrounding, brimming with a sense of the life of a city which we can never really know or measure, whose politics is alive but oddly incubated.
The South African photographer Gideon Mendel's images of people affected by flooding in seven sites, including Nigeria.
It is hard to find critics asking what Angolan artist Edson Chagas’s work does, the context through which it was produced, or the social conditions it draws attention to.
In her work, Ellen Gallagher defiantly challenges linear perspective to redress what fellow African-American artist Theaster Gates has called "the African non-archive."