
King George
Liberians and the footballing world seem eager to coronate George Weah, Africa’s only winner of the World Player of the Year award as the country's next president.
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Liberians and the footballing world seem eager to coronate George Weah, Africa’s only winner of the World Player of the Year award as the country's next president.
Samir Amin's life resembled that of Karl Marx: a man without a homeland, but one whose home was a chosen commitment to a historical project.
Why the coup leader, General Gilbert Diendéré, is derailing the political transition in Burkina Faso.
The post-coup power struggle is between factions of the military with very different interests and goals.
A footballing minnow has shocked the great names of African football with a series of audacious, spirited displays, making it all the way to the 2013 Afcon final.
No figure in the Arab world embodies the ideals and contradictions of Pan-Arabism more than Egypt's Gamal Abdel Nasser.
Filmmakers Newton Aduaka and Haile Gerima and film critic and scholar, Mbye Cham, assess Fespaco 2013.
In the 1970s, young left-wing activists fought clandestinely for Senegal’s democratization under Senghor’s brutal regime.
The Malcolm X effect of Gambian-British activist Momodou Taal.
Everyone but the Chibok girls--subjects of #BringBackOurGirls--and their families in Nigeria have moved on, but history does not march on for the victims.
For the peripheries and proletarians of the world—most of the world—Maradona is a symbol of defiance against the football aristocracy, corporate bosses and empire itself.
This week’s AIAC Talk is devoted to the life, thought, and legacy of Amílcar Cabral. Watch on Youtube, Facebook, or Twitter, and subscribe to our Patreon for the archive.
Prince Louis Rwagasore, also known as “Burundi’s Lumumba," has been reduced to a political tool by the country's elite, but artists are doing his legacy justice.
No matter where they are, the children of African heads-of-state live lives comically far-removed from those of the average citizen in their home countries.
Music’s ingratiating moral mask has withered, revealing a disfigured face whose true ethical philosophy is, as Lauryn Hill once noted, “paper thin.”
On our annual publishing break, we ask: if the opposite of “weird” is normal, what if normal is equally problematic?