The United States of Africa
Yannick Létourneau talks about the genesis of his film about the Senegelese rapper, Awadi. Also, why so many political musicians come from West Africa.
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Yannick Létourneau talks about the genesis of his film about the Senegelese rapper, Awadi. Also, why so many political musicians come from West Africa.
Forty years ago, African filmmakers and revolutionaries united to reclaim cinema as a weapon for liberation and cultural sovereignty across the continent.
The color red, berets, and plain workers’ clothing have all become potent aesthetic symbols for South Africa's EFF.
Artists played central roles in the protest movement that ended dictatorship in Burkina Faso.
A contemporary of the late BBC journalist and newsreader remembers how their paths cross and Komla Dumor's lasting legacy.
September's coup is Burkina Faso's second of the year, and its another one with popular support. Why did it happen?
…shedding light on the origins of the name. Burkina Faso, land of the upright people, Sankara’s
A list of articles to read, twitter accounts to follow, blogs to bookmarked to make sense of the ever evolving situation in Burkina Faso.
The evolution of techno, from within Detroit’s African-American community to Kampala, Uganda.
Student militancy has revived in Burkinabè public universities over the past decade. Now, a student movement could slowly transform society.
Why agricultural change is political change. Take the case of farmers in Burkina Faso.
The death of two protesters last month in Niger, could bring pressure for a meaningful Truth and Reconciliation for French colonialism in Africa.
Africa's political liberation and economic emancipation can't be one-country affairs, but pan-African combined with international solidarity.
"Africa will write its own history and in both north and south it will be a history of glory and dignity" (Lumumba, 1960)
We discuss the legacy of Diego Maradona on this week's AIAC Talk. Tune in today at 19:00 SAST, 17:00 GMT, and 12:00 EST on Youtube, Facebook, or Twitter.
Africans rarely re-evaluate ourselves, the basis of our knowledge and our traditions on our own terms, argues Sierra Leonean writer Ishmael Beah.