
Taking white privilege abroad
“Ex-South Africans” are a white, right-wing strain of South Africa’s diaspora that identify with and longs for the South Africa of apartheid.
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“Ex-South Africans” are a white, right-wing strain of South Africa’s diaspora that identify with and longs for the South Africa of apartheid.


A painful, violent story of migration captured in the song "Lagos" - for our series "Liner Notes," in which musicians talk about making music.


The relationship between the massacre of workers at Marikana and the rational destiny of market fundamentalism.


Amid global political turmoil and restrictive visa policies, artists are redefining resistance — on the dance floor and beyond.

Across the continent, music festivals are challenging industry gatekeepers and testing what it means to organize on African terms.


One key to black style is the fact that, relative to white Americans, black people don’t have much room “for make believe.”

The film is doubly removed from the West Africa in which it was made and in whose name it claims to speak.

The Algerian novelist, Kamel Daoud, gives a name and a history to Albert Camus's "The Stranger."


This is our third Music Break post. It is curated by anthropologist Tom DeVriendt, who may just take a liking to keep doing them.

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.


Blind clichés, projections and stereotypes masquerading as analysis in Foreign Policy by Karen Leigh, Time Magazine’s correspondent for West Africa.

The Governor of Lagos has larger ambitions than just governing Nigeria's and probably Africa's most vibrant megacity.