
Taking white privilege abroad
“Ex-South Africans” are a white, right-wing strain of South Africa’s diaspora that identify with and longs for the South Africa of apartheid.
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“Ex-South Africans” are a white, right-wing strain of South Africa’s diaspora that identify with and longs for the South Africa of apartheid.


A painful, violent story of migration captured in the song "Lagos" - for our series "Liner Notes," in which musicians talk about making music.

Thandi Newton choice as a female lead in the screen adaptation of "Half of a Yellow Sun" has some people upset.

The relationship between the massacre of workers at Marikana and the rational destiny of market fundamentalism.


From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.


One key to black style is the fact that, relative to white Americans, black people don’t have much room “for make believe.”

The film is doubly removed from the West Africa in which it was made and in whose name it claims to speak.

The Algerian novelist, Kamel Daoud, gives a name and a history to Albert Camus's "The Stranger."



Western donors are cutting budgets, but the aid model they built — rooted in control, dependency, and depoliticization — still shapes Africa’s development.

Cape Town’s digital nomads chase cheap luxury and scenic backdrops — but behind the matcha lattes and “social impact days” lies a deeper story of economic power, displacement, and global inequality.


This is our third Music Break post. It is curated by anthropologist Tom DeVriendt, who may just take a liking to keep doing them.

Blind clichés, projections and stereotypes masquerading as analysis in Foreign Policy by Karen Leigh, Time Magazine’s correspondent for West Africa.