Weekend Music Break No.87

Still from Featurists's Babaah

Weekend is here so that means it’s time for another music break! If there’s any theme this weekend, it is artists who are looking back into the past to tap into some kind of inherited tradition or cultural roots… and then one just for fun. Enjoy!

We covered Gabacho Maroconnection earlier this month in our Liner Notes series — here they perform their song “Allah Moulena”; We also ran an interview with Somalia via Seattle rappers Malitia Malimob — this song samples traditional Somali sounds; A throwback tune from Youssoupha (who’s 2015 album NGRTD is pretty great) — a dedication to his father the great Tabu Ley Rochereau; Fally Ipupa taps into some traditional rural Congolese sounds, updating them with a 2015 Kinshasa flair; D Banj and Akon also bring some new ancient rhythms to the club… it would be really great to hear this kind of rhythm on the dance floors of mainstream clubs in New York or Las Vegas… recent Instagrams by super producer Swizz Beatz point to the possibility of that reality not being too far away; Blsa Kdei taps into a classic Highlife sound, with the lilting guitar on “Mansa”; Featurist gets particularly traditional with his fashion style and moves in this video for “BABAAH” (the dance of grandfather!); Ghanian SK Kakraba is a master of the Gyil — living in Los Angeles he recently released a record on the Awesome Tapes from Africa label; Malian Kora player Abou Diarra plays a live session accompanied by acoustic guitar; and finally, after seeing great success in the UK for his Afropop hit “The Thing“, Atumpan goes dancehall and turns in a video for “African Wine” shot at this year’s Nottinghill Carnival in London.

Further Reading

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.

From Nkrumah to neoliberalism

On the podcast, we explore: How did Ghana go from Nkrumah’s radical vision to neoliberal entrenchment? Gyekye Tanoh unpacks the forces behind its political stability, deepening inequality, and the fractures shaping its future.

The Visa farce

The South African government’s rush to clear visa applications has led to mass rejections, bureaucratic chaos, and an overloaded appeals system—leaving thousands in limbo.