Search Result(s) for: “Angola”


The legacy of violence in the struggle for South Africa
An excerpt of an essay, titled “Nongoloza’s Ghost,” in Lapham’s Quarterly. It's published in partnership with Africa Is a Country.


The Last Prostitute
Licínio Azevedo's "Virgin Margarida" is a critical look into Mozambique's past — its re-education camps.

The ‘digital music in Africa’ bandwagon
What The New York Times forgot to tell you about the explosion of digital music in Africa.

Two tales against neocolonialism
Working-class men try unsuccessfully to integrate themselves into new economies in the films of Ousmane Sembene and Mrinal Sen.

The African refugee equilibrium
Africans' lack of knowledge about our own shared refugee experiences continues to fuel hate and discrimination on the continent.

When the spirits of the ancestors call you back
A homage to a true pan-African athlete-activist, Lee Evans, who at the Olympics Games in 1968 broke the 400-meter world record and embarked on a life of political activism.

Christianity and new queer African imaginations
The leading African writers and creative artists who are reimagining Christian thought and the several Christian-inspired groups who are transforming religious practice.


Will Africa be the last oil frontier?
The current run on Africa’s oil resources has strong echoes with the continent’s colonial past. The global movement’s task is to not let corporations get away with it.


Late nights in Lisboa
In our final episode of "Clubbing on the Continent," Africa Is a Country Radio heads to Lisbon, Portugal.

‘What two men do’
The long history of classism and homophobia in public and media spaces in Cameroon.

« ce que font deux hommes »
La longue histoire du classisme et de l'homophobie dans les espaces publics et médiatiques au Cameroun.


The war in Ukraine may seem far from Africa, but it is not
To compensate for its possible isolation by the West, Russia could turn its attention to Africa, making the continent the next center stage for imperialist struggles.

The first feature film out of the DRC in over 28 years
Viva Riva! director, Djo Tunda Wa Munga, on African self-representation, and opening a production company in "chaos."