Weekend Music Break, your weekly round up of hot tunes and music news from around the African Continent and its diaspora, is here!

This weekend we have Belgium based Congolese artists Badi and Fredy Massamba’s team up “Belgicain”; Show Dem Camp puts out an Afro-House song featuring Iye on the hook; still in the house zone, but in Angola, Maya Zuda and Bebucho Que Cuia present “Dois a Dois”; French-Senegalese rapper Booba heads to South America once again to shoot the video for his song “Tony Sosa”; Nigerian Davido sets his sights across the Atlantic by teaming up with Philadelphia gangsta rapper Meek Mill; Another cross-Atlantic collaboration sees a pair of Americans and a pair of Brits trading verses over a ominous R&B-trap beat; In preparation for the launch of his new album, Sarkodie also launches a trans-Atlantic gangsta-rap collabo this week, here he goes to dancehall territory with Stonebwoy and Jupiter; The Havana Cultura project recently shared “Madres” by Daymé Arocena, a live performance dedicated to the Orixa Yemaya (Yemoja, Iemanjá); Seattle-based Chimurenga Renaissance heads to the ruins of Great Zimbabwe for their track “Pop Killer”; and finally, F’Victeam, a Congolese dance squad, shoots a martial arts themed Ndomobolo/Decale video (embedding disabled so watch it here). Enjoy!

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.