Africa Is a Country

Weekend Music Break No.76

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break No.76

By
Boima Tucker

Y'en a Marre in Madrid

We took a break last week, but we’re back experimenting with a new format. This Weekend’s Music Break is in the form of a Youtube playlist so you can just hit play, sit back, and enjoy. Let us know if you have any thoughts about the new format in the comments!

Our selection this weekend is: A dedication to today’s Champion’s League Final with the Eto’o Coupe Decale dance; P-Square and Awilo Longomba’s new “Enemy Solo”; Angola’s Mery with “Fogo cruzado” feat. Ksuno Beat; South African rapper Boolz with “Aphe Kapa”; Nigerian-American rapper hits the studio with friends in “Roslin’s Basement”; Italian-Moroccan rapper Maruego brings a controversial subject to the small screen with “Sulla stessa barca,” which translates to something like, “we are all in the same boat.”; A group of DJs from around the world collaborate on an impressive live “Scratch Jam”; Lisbon’s Batida releases a video for beautiful “Ta Doce” feat. AF Diaphra; Haiti’s Beken sings “Tounen Lakay” in a live session; Finally, Y’en a Marre gets a half-hour documentary on MTV’s rebel music series.

Further Reading

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.