
The New Black Atlantic
What does it mean when a Tanzanian rapper joins a cypher on BET, the US entertainment TV channel on its biggest night - during prime time - and rhymes in Swahili.
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What does it mean when a Tanzanian rapper joins a cypher on BET, the US entertainment TV channel on its biggest night - during prime time - and rhymes in Swahili.

David Adjaye’s plans to 'revitalize' Hallmark House in downtown Johannesburg, raises ethical questions about the city's development plans.

While social media has amplified calls for social justice in long-ignored parts of the world, it should only be the beginning of our activism.

For many white French, and including African immigrants in France, watching movies like 'Phone Swap,' 'Tango with Me,' 'Last Flight to Abuja' and 'Maami,' is an eye-opener.

South Africa's media, already lacking any serious labor reporting, have no interest in fairly reporting the strike by mine workers.

Why the ruling MPLA wants to control how we remember the murder of dissidents killed right after independence.

The artist Mohau Modisakeng mines the contours of colonial and post-colonial history.

District Six was the start of a really vibrant, none racial South African and that’s why it had to die.

That old excuse of ‘We didn’t know’ (previously also heard as ‘Ons het nie geweet nie’ and ‘Wir haben es nicht gewuszt’) may be factually accurate, but it is never an ethical defense.

Tahrir Square has become the most troublesome of metaphors in a country beset by problems of representation.

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.


The inaugural winner of the Caine Prize for short fiction opines on the useless rivalry between Kenyans and Nigerians about who has won more Caine Prizes.

Alessandro Spina produced one of the greatest indictments against colonialism and jingoism, as well as a tribute to the Mediterranean’s cosmopolitanism.