
Facepalm: Adam Sandler and Drew Barrymore’s “Africa”
We have no illusions about Sandler having a responsibility to create smart cinema.

We have no illusions about Sandler having a responsibility to create smart cinema.

The Johannesburg-based crew challenges the status quo in South Africa with dance.

How does one hold on to a deeply rooted sense of self, a cultural identity, and make new paths to adapt and make new forms of home?

The melodic world alive in the work of Somali author Diriye Osman.
Few rappers on the continent have been as prolific as Sarkodie this year. The Ghanaian emcee

Martin Scorsese digitally restores Djibril Diop Mambéty’s masterpiece Touki Bouki.

A Kenyan film asks in order to evolve, what part of ourselves do we keep and what part do we leave behind.

A playlist of jazz tunes dedicated to South Africa's first democratically elected president, Nelson Mandela.

Are corporate entities really well intentioned in celebrating Mandela the freedom fighter or are they merely using these tributes to position their brands on the right side of history?

Netta Kornberg watch film trailers so you don't have to: This time, Namibian short films are the focus of her #TrailerTakedown.

For the author, watching memorials for Mandela, South Africans have lost their ability to generate theater, the theater of the mass event.

Hollywood films about Nelson Mandela separates him from the movement that produced him. The fact is, movements made Mandelas, not the other way around.

Safiath, ZM, Habsou Garba and Fati Mariko: producing diverse sounds in rap, hip-hop and soul.

Parody performers, the Naija Boyz, take on Miley Cyrus' "Wrecking Ball." It is unclear what they're trying to say.

The film is a complex and nuanced exploration of the questions and limits of what one will do for love, told by an unorthodox filmmaker.

The Brother Moves On is not anti-ANC. Their new music rather speaks to the ideals of the liberation movement and asks if this is what we fought for.

Pierre Joris and Habib Tengou edit a book about the multiple beginnings, traditions and genealogies in the literatures of the many languages of the region, and the region's diasporas.

An Adieu to Tabu Ley Rochereau, the master rumba singer-songwriter from the Democratic Republic of the Congo.

The Ghanaian dance music craze has finally arrived in the United States after sweeping Europe and the continent. Will it catch on here?

A rare and informative glimpse into a situation and part of the world that normally only receives minimal, lazy, and inaccurate coverage.