Eastern Highlands

This Weekend Music Break features a number of strong women performers: Nosiwe, Rina Mushonga, Alicious Theluji, and the 95 year old Tututa Evora, who just passed away.

Austin Neill, via Unsplash.

We kick off this Weekend Music (Number 67) break with an artist who has been away from the scene for a while: Cape Verdean rapper Vieira Nkosi. This week he uploaded a short freestyle video (in Dutch) entitled “I Am Legend“. Vieira was forced to take it slow, due to an illness, but judging by this video, he’s doing much better, and his new album “Kralienge State of Mind” is finished, he says. We’re happy he’s back.

There’s never a shortage of songs from Naija. Burna Boy released his video for “Na So E Suppose Be.”

South Londoner Kwabs, originally from Ghana, is on about everybody’s ‘who to watch in 2014’ list, which is not so surprising when you listen to him. This track “Wrong or Right” will be featured on his EP that’s coming out this weekend.

DRC’s Alicious Theluji had a smash hit in 2012 with her single “Mpita Njia” together with Ugandan singer Juliana Kanyomozi. But she is fully capable of doing it on her own as she proves on her zouk track “Posa ya Bolingo.”

We’re expecting a lot from Zimbabwean-Dutch singer Rina Mushonga in the near future. Her highly anticipated first album is supposed to come out in February 2014. “Eastern Highlands,” from her self-titled EP she released last year, is promised to be an indicator of what we can expect. We’re counting the days.

An inspirational song from Kenyan rapper Octopizzo, featuring his little daughter Tracy singing the chorus on “Blackstar.”

Three years ago Kenya’s Just a Band shot a video for their single “S.W.E.E.T”. At the time they weren’t happy with the result so they left if for what it was. They seem to have changed their mind, and showed the world what they initially rejected, so you can judge yourself.

Norwegian-South African Nosizwe is no stranger to the music industry. Her brother Tshawe had a smash hit a few years ago with the track “Beggin” as part of the duo Madcon. Nosizwe has taken a different, more alternative route. Her track “The Beat” proves that the musical talent really runs in the family.

To end: this week, Cape Verde, and the world, lost piano legend Epifânia de Freitas Silva Ramos Évora, better known as Dona Tututa or Tutura Evora. She died at the beautiful age of 95. We’d like to pay homage to her with this performance recorded in 2009 on the occasion of her 90th birthday. R.I.P.

Further Reading

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.