Culture

Match officials and team staff pose on a football field before a local match in Somalia, with referees in yellow kits standing around a ball at midfield.

The meaning of Omar Artan

The World Cup was meant to be the culmination of Omar Artan’s remarkable rise. His exclusion from it revealed something equally striking: the magnitude of the admiration he had earned at home and globally.

A colorful fishing boat resting on the coastline in Maio, Cape Verde.

No stress

Cabo Verde’s national team is at the World Cup for the first time in their history. To understand why they might surprise everyone, you need to understand morabeza.

Olympic medallists Tommie Smith, Peter Norman, and John Carlos stand on the podium after the 200 metres at the 1968 Mexico City Olympics. Smith and Carlos bow their heads and raise black-gloved fists in protest against racial discrimination.

Continuities in exclusion

The refusal of the US government to admit Somali referee Omar Artan is a reminder that the United States has a long history of using sports as a tool of exclusion, especially when it comes to African and African-descended athletes.

Kansas prairieland with cows.

Rock Chalk Algeria

Against a tournament shadowed by visa refusals and bureaucratic hostility, the unexpected love affair between the Algerian national team and the city of Lawrence, Kansas, is a welcome reminder of what the World Cup is actually supposed to be about. 

Capoeira in the streets of Pelourinho, Salvador, Brazil.

My mother’s buried story

AI tools are built on Eurocentric datasets. For Brazil’s Afro-descendants — whose histories were already marginalised from literature, academia, and media — it poses the threat of industrial-scale erasure.

Performers play hand drums around a masked figure wearing an elaborate green feathered costume during a crowded cultural procession, as onlookers gather and take photographs outside a building.

Frames of reference

At the 61st Venice Biennale, the late Koyo Kouoh’s decolonial vision shaped a landmark exhibition, even as questions of representation, solidarity, and cultural authority continued to haunt the African pavilions.

A teenager lies down in front of a punching bag in a boxing gym.

Against the ropes

In Ghana, women boxers continue to pursue the sport despite the economic hardship and institutional inequalities they face in and out of the ring.

Illustration of East Indian immigrants gathered outdoors on a cacao estate in Trinidad, with musicians, dancers, and seated families beneath trees in a rural landscape.

How to read postcolonial writing

The Granta controversy surrounding a Commonwealth Prize-winning story tells us less about AI than about the enduring metropolitan expectation that writing from the South should sound opaque, excessive, and primitive.