
Frames of reference
At the 61st Venice Biennale, the late Koyo Kouoh’s decolonial vision shaped a landmark exhibition, even as questions of representation, solidarity, and cultural authority continued to haunt the African pavilions.

At the 61st Venice Biennale, the late Koyo Kouoh’s decolonial vision shaped a landmark exhibition, even as questions of representation, solidarity, and cultural authority continued to haunt the African pavilions.

The new Michael Jackson biopic turns a politically conscious Black artist into a raceless fantasy figure, erasing the civil rights struggles, global solidarities, and histories that shaped him.

A new documentary revisits how Mongo Beti used literature and political writing to confront the suppressed history of French colonial violence in Cameroon.

In Ghana, women boxers continue to pursue the sport despite the economic hardship and institutional inequalities they face in and out of the ring.

Under Arsène Wenger, Arsenal FC transformed English football’s relationship to African players, becoming a symbol of diaspora identity, Black internationalism, and global modernity.

Under the leadership of the president of the Ghana Football Association, the country’s football has become a study in contradiction, combining administrative modernization with competitive decline.

The Granta controversy surrounding a Commonwealth Prize-winning story tells us less about AI than about the enduring metropolitan expectation that writing from the South should sound opaque, excessive, and primitive.

What happens when singeli, a genre born in Dar es Salaam’s working-class underground, becomes a symbol of national culture, embraced by the very state that once distrusted it?

What’s in store for the Congolese national team, now that they’ve reached the World Cup?

From Nairobi to Khartoum, Kampala to Addis Ababa, a new digital magazine maps how the interconnected forces of political repression, class exclusion, and patriarchy are shaping artistic life across Africa.

If the reception the Democratic Republic of the Congo received at the FIFA intercontinental playoffs is anything to go by, visiting African fans can expect a joyful camaraderie in Mexico.

In today’s India, stories of terrorism and national humiliation are being reworked into fantasies of decisive power — blurring the line between memory, myth, and politics.

Drawing on letters to his wives, a decade-long film project seeks to move beyond iconography and return Amílcar Cabral to the realm of the human, the fragile, and the unfinished.

As Somalia makes its first appearance at the Venice Biennale, some Somali artists are questioning who gets to represent the nation — and on whose terms.

A debut feature set on the Cape Flats turns a familiar crime premise into a quiet study of fatherhood, masculinity, and survival. But its limited reach reveals the deeper problems facing South African film.

The football gambling industry across Africa preys on the risk factors built into the game. The only viable solution is investing in durable, developmental frameworks at the grassroots level.

Akinola Davies Jr’s feature-length debut traces how Nigeria’s military rule collapsed the boundary between political crisis and intimate life, leaving families to bear the cost of authoritarian power.

Le championnat burundais fait rarement les gros titres — une discrétion qui en fait une cible facile pour des réseaux de matchs truqués désormais ancrés dans l’élite.

On the latest AIAC podcast, the gang from the Nigerian Scam explores how Afrobeats got globalized, who captured the value, and why the party may be ending.

A new history of the interwar Latin American left recovers the rich debates over race and self-determination that shaped the region's anti-imperial politics — and still resonate today.