
The golden light of Pops Mohamed
From Actonville to global stages, Pops Mohamed blended tradition, futurism, and faith—leaving behind a musical archive as luminous as the spirit he carried.

From Actonville to global stages, Pops Mohamed blended tradition, futurism, and faith—leaving behind a musical archive as luminous as the spirit he carried.

From IMF history to astrophysics, Nairobi’s Drunken Lectures turn casual drinkers into an engaged public.

As the White House hypes “Christian genocide” and floats military action, northern Nigerians are responding with satire.

Davido’s appearance at 'Amapiano’s biggest concert' turned a night of celebration into a study in Afrophobia, fandom, and the fragile borders of South African cultural nationalism.

Drawing on his forced migration from Rwanda, Serge Alain Nitegeka reflects on the forms, fragments, and unsettled histories behind his latest exhibition in Johannesburg.

A photo essay on Nigeria’s Durbars and the power of royal pageantry.

The country that once produced some of Africa’s fiercest moral voices now struggles to sustain independent thought.

Jean Maxime Baptiste’s latest film listens to how grief and history reverberate across generations in French Guiana.

While the world debates restitution, Africa’s own heritage institutions are collapsing. The question is no longer who took our past, but who is keeping it alive.

In Najaax Harun’s paintings, the self confronts its own reflection—haunted, tender, and unafraid to transform.

Made just as Sudan descended into war, 'Khartoum' captures the beauty, pain, and humanity of a city shaken by violence—and the filmmakers who became refugees alongside their subjects.

Nairobi’s cultural moment reflects both the promise of continental imagination and the anxiety of performing arrival for the world’s gaze.

Inside the crumbling walls of Nigeria's Old Secretariat, echoes of colonial governance and national awakening meet the silence of decay.

When Cabo Verde qualified for the World Cup, celebrations erupted from Praia to Rotterdam. The Blue Sharks’ rise shows how a scattered people built a global team rooted in home.

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

A reflection on traveling through the globalized walled city.

The writings of Edson Sithole, Zimbabwe’s forgotten nationalist thinker, reveal both the promise and perils of pan-African politics in the independence era.

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

MADEYOULOOK’s 'Dinokana' debuted at the 2024 Venice Biennale. Now back home, Molemo Moiloa and Nare Mokgotho reflect on sound, place, and why their work is always meant for South African audiences first.