The music of Albalabel, a pioneering women’s group in conservative and patriarchal Sudan, endures over decades of struggle.
English Professor and Editor of Brittle Paper, recommends five books she’s been reading.
Nearly four decades later, Linda Ronstadt’s arguments against the cultural boycott - repeated in a new film - ring hollow.
For this group, politics is often framed as a series of never-ending discussions about social justice: The experience from South Africa.
New French film on decolonization in Africa and Asia incapable of avoiding the Eurocentrism the filmmakers wanted to steer clear of.
Meryam Joobeur’s film, Brotherhood explores Tunisia's outsized role in the Syrian conflict.
Coverage of the #LuandaLeaks revelations have steered clear of the art world dealings of Isabel dos Santos’s husband, and art luminaries have largely defended Dokolo’s reputation.
Beyond news headlines, African artists complicate common migration narratives.
Fela Kuti’s friend, Carlos Moore, the black Cuban emigre writer, is the subject of a film about their at times difficult relationship. The result is complex.
Mukoma wa Ngugi's opening remarks at the launch (today) of the 2020 Writers Unlimited International Literature Festival in The Hague.
A new film about Kony 2012 is a lesson in how not to fight simplification with more simplification.
Masauko Chipembere's first solo album is a remarkable achievement and a timely musical reminder of the circular nature of pan-Africanist consciousness.
The Chimurenga arts collective explores the relevance of FESTAC, a near forgotten, epic black arts festival held in Nigeria in the mid-1970s, for our age.
Nthikeng Mohlele’s novel Small Things (2013) provides a rejoinder to J. M. Coetzee’s Disgrace (1999), depicting a black man’s perspective on the failures of South Africa’s transition.
Filmmaker Akin Omotoso shows the Lagos that pushes the sane to insanity, the meek to thuggery and the lawful to anarchy.
A review of one of the few books to come out of the continent about photography and the majority of contributors are African.
Meleko Mokgosi’s multimedia works offer complex views of history and powerful critiques of pan-Africanism and the postcolonial moment we are currently living.
During Christmas 1980, Hugh Masekela and Miriam Makeba performed at a concert in Lesotho that deeply challenged and disturbed South Africa’s apartheid regime. The record of that concert is being reissued.
No child should choose between having food, love, and a roof over their head or being their full self.