
Bring the Beat Home
The documentary, “Soul Power,” captures a moment in African-American music during the 1970s: testing its boundaries in Kinshasa, Zaire.
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Sheila Adufutse is a feminist activist and trained as a project manager.

The documentary, “Soul Power,” captures a moment in African-American music during the 1970s: testing its boundaries in Kinshasa, Zaire.

Congolese musicians are divided over politics: endorse President Joseph Kabila and gain from official patronage, oppose him in exile or cope independently in Kinshasa.

The thumb piano has made somewhat of a resurgence in contemporary pop music partly because of the international stardom of groups like Konono N˚1.

This new batch of films are set in Guinea Bissau, Ghana, Sudan, Morocco, Kenya, South Africa and Mauritius.

They used the same examples every trendy Western fashion or pop culture publication do, when they run special issues on South Africa.

The confrontation at Johannesburg Pride between white organizers and a group of black activists demanding Pride honor those killed, mostly black, for their sexuality, in South Africa.

A group of black women, from Africa and its diaspora, decide to mess with Paris Fashion Week. Was it worth it? Did anyone care?

Achebe’s “There Was a Country: A Personal History of Biafra” reopens old wounds about the civil war.

When Deacon, a member of the band Animal Collective went to Mali to make an album and … to end slavery.

Solange Knowles is the second major UK or American artist to shoot a music video in Cape Town in so many months.

Former UN envoy Jean Ziegler on Third World hunger: “We Let Them Starve.”

What is it with the long practice in British racing of adding an African appellation to a race horse’s name. Most African countries now have at least one horse name after it.

Africa isn’t a brand and we find the clamor for “positive news” from Africa inane and condescending.

The Nigerian poet and critic, Odia Ofeimun, on how Nollywood depicts traditional culture and religion.


Cedric Nunn’s photography reflects the complex emotions of his black South African subjects, their humanity, dignity, in very personal terms.