
Before And After The Disco
The self-titled debut album of Ibibio Sound Machine, features songs mostly in the southern Nigerian language of lead vocalist, Eno Williams.
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Rita Nketiah is a feminist researcher, writer and activist living in Accra, Ghana.

The self-titled debut album of Ibibio Sound Machine, features songs mostly in the southern Nigerian language of lead vocalist, Eno Williams.

In 1986, one year before he passed away, James Baldwin announced a radical idea: “White History Week.” In this post, Ed Pavlic writes about how Baldwin got to that moment.



António Oliveira Salazar founded Portugal’s New State dictatorship in 1933. Some Portuguese still remember him fondly.

“At the end of capitalism, which is eager to outlive its day, there is Hitler. At the end of formal humanism and philosophic renunciation, there is Hitler.”

When Gullit won the Ballon d’Or in 1987, he dedicated the award to the imprisoned Nelson Mandela; then made a reggae song about Apartheid.

Slavery governed the Cape Colony, the origin of colonialism in South Africa, for nearly 200 years and left a lasting legacy.

An interview with Peter DiCampo and Austin Merrill, founders of the Instagram project, Everyday Africa.

The Dutch are quick to celebrate “12 Years a Slave,” but what if Steve McQueen had decided to make the film about Dutch slavery and colonial history?



Nicholas Eppel’s photographs of a working class woman’s home life in central Cape Town doubles as a chronicle of the city’s gentrification.

What happens when a corporate model of Pride is used to homogenize and silence those without privilege and power?

Cape Town’s goals: designing a more tourist-friendly European City, while keeping the unwanted and unsightly on the other side of the mountain.

The story of African migrants entering the Eurozone by sea is basically indecipherable as it is told in global and national media reports, because they are described only as helpless victims.

Both in and outside of Africa, there is an argumentative frenzy around the instability of gender and sex and non-conforming performances of gender.

An insight into the openly racist and homophobic atmosphere that passed for public life in Margaret Thatcher’s England.

Alain Resnais and Chris Marker’s 1953 film “Statues also die” should be appreciated more for how it challenged European, especially French, approaches to African art.