
The Wizard of Zimbabwe
What do you when your 70 year old South African father wants to meet Robert Mugabe for his birthday. Make a film about it.
6437 Article(s) by:
Rita Nketiah is a feminist researcher, writer and activist living in Accra, Ghana.

What do you when your 70 year old South African father wants to meet Robert Mugabe for his birthday. Make a film about it.

“Timbuktu,” the first film by an African-born black filmmaker to be nominated for the best foreign language film Oscar, transcends the present.

Are quirky white people with thriving, trendy careers in New York City, the only ones to find love?

Ugandans are confronted by a cultural and political paradigm which pushes a preference for Western lives and lifestyles from multiple angles.

Nothing about the popular SPUR restaurant chain in South Africa is Native North American.

Two black Capetonians went to rich Camps Bay and filmed white people going on about their lives.

What Egypt’s latest football tragedy says about social divisions in the country.

Essuman believes that confining any storyteller to labels like “African stories” is a disservice to the story and the one telling it.

In sharp contrast to the coverage of Syrian refugees, Western media barely register the escalating Eritrean refugee crisis.

The renaming of a popular Cape Town road after Apartheid’s last president, FW de Klerk, opens the debate about memorials in postapartheid South Africa.

Though Hall’s work was written from the vantage point of the black immigrant experience in the UK, some of it resonated in South Africa.

There is an established tradition in Economics of talking about Africa from afar, western scholars leading the discussion.

Nigerians have fought for democracy before, and we shouldn’t underestimate civil society’s willingness to defend it.


Malian director Abderrahmane Sissako’s film “Timbuktu” complicates the Jihadist narrative in Africa.

Why are the Grammys so clueless about what is contemporary Latin pop music? They keep handing out awards to veterans like Ruben Blades or Vicente Fernández.


The Nairobi-based filmmaker and musician aims to bring stories, pictures and sound together to create something immutable on the screen.

A new film about how Mozambican youth express and negotiate the country’s post-socialist modernity through dance.