
Obroni, a History
Most Ghanaians think “obroni” means “white person” or “foreigner”, but it stems from the Akan phrase “abro nipa” meaning “wicked person.”
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Rita Nketiah is a feminist researcher, writer and activist living in Accra, Ghana.

Most Ghanaians think “obroni” means “white person” or “foreigner”, but it stems from the Akan phrase “abro nipa” meaning “wicked person.”

Hipsters Don’t Dance “Top World Carnival Tunes” for February 2015.

Guibinga documents the vibrant beach culture of the country’s capital, Libreville, on the West African coast.

Carnival in Rio de Janeiro as a site for the politics of influence by one of Africa’s most brutal dictatorships.

The Congolese cites the crime film, ‘Carlito’s Way,’ starring Al Paciono, as a project he wished he had made. You can see the inspiration in “Viva Riva,” his breakout film.

The actor and filmmaker Akin Omotoso traveled from Johannesburg, South Africa, to witness the 2015 NBA All Star Weekend in Brooklyn, New York. Here’s his diary.


The influence of people of African descent in the history of Peruvian music are overlooked. This documentary begins to set the record straight.

Cast members: “We want that film to enlighten our people’s situation, we, the real hostages of that crisis.”

Chilean musicians argue that their feeling of isolation, combined with a higher than average internet penetration helped create and foster a local “scene” of musicians able to make a living from music.

An archive – stretching from 1820 to 1960 – of civil, police, and criminal records in colonial Banjul.

The legendary Nigerian filmmaker, Tunde Kelani is considered the bridge between the first generation of Nigerian filmmakers and Nollywood.

The floods that have devastated much of the southern region of Malawi represent one of the worst natural disasters in the country’s history.


The selective memory of ‘Plot for Peace,’ documentary film about South Africa’s transition.

The #AlienEdits series seems to come as a form of resistance to negative social projections regarding race, gender, sexuality and culture.

A new documentary film offers a dignified and moving counterweight to how we in the West think – in static, sometimes pathologizing images – of kids elsewhere.

Why at this late hour would The New York Times want to recycle Paul Bowles’ racist fantasies of Morocco?

Why aren’t Africans living on the continent part of the United Nations’ International Decade for People of African Descent?

If market-focused empowerment becomes the norm in development, who will want to learn about politics or find out why their countries are poor in the first place?