
The Afro-Anarchist’s Guide to Kendrick Lamar
On “To Pimp a Butterfly,” is Kendrick being ironic when he wonders “How Much a Dollar Cost”?
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Ladan Osman is the author of Exiles of Eden (2019) and The Kitchen-Dweller’s Testimony (2015). She lives in Brooklyn.

On “To Pimp a Butterfly,” is Kendrick being ironic when he wonders “How Much a Dollar Cost”?

Side-eyeing the UN for abusing its privilege and wasting financial resources on business class flights, and then secretly coveting becoming part of the UN.


Osekre, whose music is a blend of Afrobeat and ska, on the trials and tribulations of being an African musician in New York City

The writer’s discomfort with being South African in Zimbabwe; something he eventually has to come to terms with.

Cultural spaces and historic patrimony have not fared well during Angola’s post-war reconstruction and development.



Okwui Enwezor’s “All the World’s Futures” is a radical attempt at shifting the paradigms of biennale models to create a more democratic society of artists and exhibition spaces.

South African hip hop audiences blatantly ignore Ill Skillz’ craft because they’re from Cape Town.


What a very white book launch in a very black neighborhood in downtown Johannesburg reveals.

On Mozambican TV, South Africa is divided between the people of good will with their pots of rice, and the people of Goodwill with their knobkieries and pangas.

When the rapper Akala called out Britain’s racism on Frankie Boyle’s show.


Badilisha is rare: an African project funded by a mix of government and private art donors, facilitating media access to African poets.


The truth of our global age is that autochthony, nativism, or heritage no longer define us exclusively. So, solidarity based on phenotype or heritage is dangerous.