Africa Is a Country

Weekend Music Break No.75

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break No.75

By
Boima Tucker

Wanlov the Kubolor

Here’s your weekend selection for May 23rd, 2015. To kick things off, just stop what you’re doing, watch and listen to this by Wanlov…

A message from Sierra Leone to South Africa (to the World) — relevant to many of the posts going up on this site as of late — Kao Denero asks, “Why?”…

A song is so good, it kind of hurts… Nneka channels the spirit of Bob Marley in “Book of Job”…

Also in the “conscious” vein, a sax-backed message from Togo’s Elom 20ce…

Continuing the rap section of today’s selection, Pappy Kojo teams up with Sarkodie on “Ay3 Late”…

South African rap duo Gods on Drugs sent us this video for their track “Garage Dragon”…

Switching gears a bit, Djeff turns in a high-energy video for his mind-blowing “Ser Kazukuta” track!

Wunmi shows us how to keep a “Fit Body”…

Going through the Africa is a Country email archives we ran into this from Boston based Kina Zoré…

And finally, an interesting artifact from the Okayplayer family, Questlove goes to Cuba…

Further Reading

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.