Sathima’s swansong

There is a time for everything: Between Afropunk and the passing of a musical legend, Sathima Bea Benjamin, is our Weekend Music Break.

It’s weekend of the Afropunk Festival in Brooklyn, New York, and a few of us at Africa Is a Country who are based here, will be partaking in the madness.  If you can’t make it to Afropunk this year don’t worry we’ve got a very solid collection of videos to generate an instant music festival wherever you happen to be getting down.

On a nostalgia tip, Olugbenga revisits his old stomping grounds on the streets of Lagos around the Ojuelegba Bus Stop in the Andy Okafor filmed video “Silver Pixie, Iyawo Mi.” This was Olugbenga’s first trip home since he was 15.

Philadelphia producer King Britt has this to say about his afro-futurist electronica project Fhloston Paradigm: “It walks the line of duality, both science fact and science fiction. It is the future of the now moment. The purpose is to transmit the omni-versal message of divine abstractions into aural pleasing tones.” He explains the video for Chasing Rainbows is a “sprained fable of a wanderer who is her own congress. Can time pry dance from the preface of no more?”

Afrikan Boy, still terrorizing London, channels Fela in “Hit Em Up.”

We’ve got a fantastic collection of live footage of South African rap crew, Driemanskap, for their track “Hosh/Hosa.”

Somali sisters Faarrow show us they were down with music from a young age when they go back home in the Studio Africa-produced video “Say My Name.”

Ghanaian singer Sala gives us a club ready track with “Today Na Today“. And if you need any ideas, the well shot video, filmed at a garage, will show you how to move:

You know how musicians are always reading lyrics off of their phones these days when they’re recording in the studio? Mosotho hip-hop artist Juvy and friends take that to the next level in the hilarious video for “Sotha.”

The title of Berlin-based Ugandan singer Jaqee’s new track says enough: “Dance.”

Talented Ghanaian singer Paapa demonstrates his lyrical depth in “Write for Me”. This is a guy to pay attention to.

Tanzanians Nay and Diamond let us know the music scene in Bongo is still very much fly with “Muziki Gani Part 2.”

And finally, from Sathima Bea Benjamin, the legendary Cape Town jazz singer who went home to the ancestors this week (see Sean Jacobs’ review of her autobiography for some background on her politics and musical career), we have her epic masterpiece “Africa.” This song comes from her Songbird LP that was rereleased by Matsuli music just last month. Ms. Benjamin gave a few rare performances at the Mahogany Room and Tagore’s in Cape Town for the occasion. Download an audio recording from the Tagore’s show here, Sathima swansong in this world.

 

Further Reading

The sun shows the way

Rashid Vally, the visionary behind South Africa’s iconic jazz label As-Shams, forged a legacy of revolutionary jazz that defied apartheid and continues to inspire new generations of musicians, activists, and music lovers.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.

Drawing the line

How Sudanese political satirist Khalid Albaih uses his art and writing to confront injustice, challenge authority, and highlight the struggles of marginalized communities worldwide.