Sathima’s swansong

There is a time for everything: Between Afropunk and the passing of a musical legend, Sathima Bea Benjamin, is our Weekend Music Break.

It’s weekend of the Afropunk Festival in Brooklyn, New York, and a few of us at Africa Is a Country who are based here, will be partaking in the madness.  If you can’t make it to Afropunk this year don’t worry we’ve got a very solid collection of videos to generate an instant music festival wherever you happen to be getting down.

On a nostalgia tip, Olugbenga revisits his old stomping grounds on the streets of Lagos around the Ojuelegba Bus Stop in the Andy Okafor filmed video “Silver Pixie, Iyawo Mi.” This was Olugbenga’s first trip home since he was 15.

Philadelphia producer King Britt has this to say about his afro-futurist electronica project Fhloston Paradigm: “It walks the line of duality, both science fact and science fiction. It is the future of the now moment. The purpose is to transmit the omni-versal message of divine abstractions into aural pleasing tones.” He explains the video for Chasing Rainbows is a “sprained fable of a wanderer who is her own congress. Can time pry dance from the preface of no more?”

Afrikan Boy, still terrorizing London, channels Fela in “Hit Em Up.”

We’ve got a fantastic collection of live footage of South African rap crew, Driemanskap, for their track “Hosh/Hosa.”

Somali sisters Faarrow show us they were down with music from a young age when they go back home in the Studio Africa-produced video “Say My Name.”

Ghanaian singer Sala gives us a club ready track with “Today Na Today“. And if you need any ideas, the well shot video, filmed at a garage, will show you how to move:

You know how musicians are always reading lyrics off of their phones these days when they’re recording in the studio? Mosotho hip-hop artist Juvy and friends take that to the next level in the hilarious video for “Sotha.”

The title of Berlin-based Ugandan singer Jaqee’s new track says enough: “Dance.”

Talented Ghanaian singer Paapa demonstrates his lyrical depth in “Write for Me”. This is a guy to pay attention to.

Tanzanians Nay and Diamond let us know the music scene in Bongo is still very much fly with “Muziki Gani Part 2.”

And finally, from Sathima Bea Benjamin, the legendary Cape Town jazz singer who went home to the ancestors this week (see Sean Jacobs’ review of her autobiography for some background on her politics and musical career), we have her epic masterpiece “Africa.” This song comes from her Songbird LP that was rereleased by Matsuli music just last month. Ms. Benjamin gave a few rare performances at the Mahogany Room and Tagore’s in Cape Town for the occasion. Download an audio recording from the Tagore’s show here, Sathima swansong in this world.

 

Further Reading

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.