Africa Is a Country

Stone breakers

Africa Is a Country Podcast
African Five-a-Side Podcast

Stone breakers

By
Ts'eliso Monaheng

This edition of Weekend Music Break, number 48, curated by journalist and rapper T'seliso Monaheng, stops over in Senegal, Lesotho, Ghana and South Africa.

Xuman, the rapper, activist and radio host returns with this week’s edition of “Rap Journal”.  They’re part of Y’en A Marre, a collection of rappers and youth activists who is partly responsible for bring Senegalese President Abdoulaye Wade, who after his two terms were up tried to change the constitution and failed. This episode of Rap Journal addresses police corruption in Senegal while paying homage to the South Africa’s beacon of light, Nelson Mandela. Look out for a guest appearance by Dead Prez’s M-1, who was in Senegal recently working on some music.

Disregarding the controversy surrounding their movement in their home country of Lesotho, Kommanda Obbs’ crew D2amajoe (or Lithua-majoe, meaning ‘stone-breakers’ in Sesotho) have released a video which doesn’t veer far away from their name. Hardcore raps over banging beats are complemented by snapshots of their home country as they sing “I’m the size of ‘Malekoporo/ I’m a fish of the ocean/ its size compares to that of the Machache mountain.” It should be pointed out that certain scenes from the video are reminiscent of this one.

If not for the impressive line-up of rappers (from Ghana’s best including EL, M.anifest, D-Black, Sarkodie) on this song (“The ChOsen”), we had to include the video for its YouTube comments. This comment – “… the Reason why Nigerian Music is Far ahead than Ghanaians … i love this Music but the clip is soo lame … the Clip should have been better than this” – sums up the majority of the commenters’ sentiments.

Jam Sandwich is a weekly show on South African national television which endeavours to bring musicians from different musical backgrounds to collaborate on a song. Past jams have included Bongeziwe Mabandla with Dirty Paraffin and Jack Parow with Klipwerf Orkes. Klipwerf Orkes also happens to be one of South Africa’s biggest-selling groups. Here’s Dutch artist Stef Bos and South African rapper Kanyi:

It bears repeating that the quantity of rap music coming out of Senegal is staggering. The legendary Souleymane Faye joins Gaston on this poignant commentary on the loss of societal values among the youth of Senegal.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.