Paris Photo will celebrate its 15th anniversary at the Grand Palais this year. With a “Place of honour for Africa (…) From Bamako to Cape Town.”  This focus on Africa follows focuses on “Germany, the Netherlands, Mexico, Switzerland, Spain, the Nordic Countries, Italy, Japan, the Middle East and central Europe.”

Les Rencontres de Bamako exhibits the work of Abdoulaye Barry (Chad), Mohamed Camara (that’s a photo from his Souvenirs series above), Fatoumata Diabate (Mali), Husain and Hasan Essop and Zanele Muholi (South Africa), Uche Okpa-Iroha (Nigeria), Jehad Nga (Kenya/Libya), Nyani Quarmyne (Ghana), Arturo Bibang (Equatorial Guinea), Baudouin Mouanda (Congo-Brazzaville), Nyaba Ouedraogo and Nestor Da (Burkina Faso). Because there’s only so many African photographers to choose from these days all of them seemingly caught in a perpetual state of “emergence” –even if they’ve been around for years.

Les Rencontres de Bamako runs from 1 November 2011 to 1 January 2012.

Further Reading

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.